Monday, 16 December 2013

Beautiful Burnout


Context on Beautiful Burnout: 

The inspiration for Beautiful Burnout came from many different places; at ten o’clock in the evening, through a hidden doorway in the street, the writing team went to Gleason’s world famous boxing gym in Brooklyn. They described it as “Mesmerising, entering a world you knew was there but never had a direct experience from.”

Bryony Lavery, one of the main writers, knew that she had to capture the credible physicality of boxing within the style of physical theatre. Boxing was thrilling, described as “The noble art – The Sweet Science” It was revered and idolised by artists, academics and those who dedicated themselves to it. The moral dilemma of boxing was always something that Lavery knew she would struggle with, as even those who love the sport can’t defend the bloody nature of going professional. Scott Graham and Steven Hoggett, the directors, explained that they found the “Issue of how damage is both present and buried in a sport fascinating.”

Beautiful Burnout is set in Scotland, Glasgow and this is shown in the play through Lavery’s use of language. She writes words as they are said in the Scottish accent, for example: “doon” instead of “down.” And her use of the local dialect helps relate the context back to its origin.